Bob has designed for Grottesco since 2002, including publicity material for The Angels' Cradle, Fortune,The Richest Deadman Alive! A Dream Inside Another , Wenomadmen, Keyholes, Winter One Acts, Grottesco's 12th Night, Shorts V,and The Moment of YES!. His other clients include TwelveTrees Publishers, The Lannan Foundation, The Santa Fe Opera, Cafe Pasqual's, Luminaria Films, Pie Boy Films (The Lark Snare), and Wumbic Productions (The Burden Carriers).
Myriah Duda is currently a dance major at the University of New Mexico with an English minor. She has been performing for over ten years, focusing on dance, music, and theatre, performing in contemporary and classical theatre productions including Rosaline in Love’s Labour’s Lost, the title role in Lysistrata, and Scapino in A Company of Wayward Saints. A theatre graduate from New Mexico School for the Arts in Santa Fe, Myriah has trained in Commedia Dell'arte, Mask work, Bahl Mask, Stanislavski, and other theatre forms, as well as in film acting. She has studied classical ballet for years but her passion lies in Modern and African dance. She has specialized in improvisation and ensemble work, performing as an interactive artist at Meow Wolf Santa Fe and a dance and theatre teacher and director at Acequia Madre Summer Camp. This is her second show with Theater Grottesco.
Founding Artistic Director
is a creator, performer, writer, director, and designer. In addition to Grottesco, Flax has performed with London's Theatre Complicite and the Los Angeles Philharmonic, and with choreographer Della Davidson. He has been a resource artist and ensemble member with the Sundance Playwrighting Laboratory, performed for 2 years with the Paris Circus and 2 years with the Theatre de la Jeune Lune in Minneapolis and Paris. Flax was a member of J.A. Deane's Out of Context for 10 years and a member of the Sveda Balkan Choir for 3 years. He has translated several works from French into English including Jacques Lecoq's celebrated lecture-demonstration Tout Bouge. He has been a guest director and movement coach at theaters and colleges across the country. He is a graduate of the Ecole Jacques Lecoq, and also studied with Phillipe Gaulier in Paris and with Arthur Lessac, holds degrees in Environmental Studies, and all but dissertation for an Ed.D. in Philosophy and Anthropology. Mr. Flax served on the board of directors of the Network of Ensemble Theaters (NET), a national organization, from 2003-2006.
is an actor, director and writer worked mostly in theater before following an academic career teaching in the graduate theater programs of the University of California--San Diego, and Oxford University among others. Before tenure set in, he migrated into the world of film writing, production and directing. Credits include Incidents in the Life of a Slave Girl, an original play which he developed and directed; a multi-lingual adaptation of The Odyssey which he wrote and directed; a multi-media stage productionDivining the Tapestry: Stories of Living and Dying Well which he wrote, produced, directed and developed; and The Legacy of Letters, a reading of important letters from New Mexico history for the New Mexico State Historian's Office which he researched, wrote and directed. He also recently directed Sam Waterston, Marsha Mason and Joan Allen in a reading of Georgia O'Keeffe/Alfred Steiglitz letters for the 10th Anniversary celebration of Georgia O'Keeffe museum entitled O'Keeffe: Speaking with Friends and Lovers. He wrote and directed the short film, Ride, which was awarded the best film award in the DigiFest Southwest Film Festival. Most recently, he has written, produced and/or directed commercial and narrative films. He is the Director of Development at Luminaria, a new film production company based in Santa Fe. Kent has created and performed with Grottesco since 1999 working in Fortune, Grottesco Shorts II, This is Life as We Know it... The Richest Deadman Alive! Keyholes, and Wenomadmen. He was co-director of The Moment of YES! and the outside eye of PIE.
KAREN ANNE LIGHT
studied contemporary and classical theatre at San Francisco State and the British American Drama Academy; physical theatre at at Flying Actor Studio in San Francisco and Theatre du Soleil in Paris; Red Nose Clown with Elizabeth Baron and John Gilkey; Persian and Middle Eastern dance with Life Dance Theater (San Francisco) and butoh with Hiroko Tamano (San Francisco). Her experience in Shakespearean theater and contemporary plays led her to seek out the origins of theatre through clown and devised physical ensemble work. After years of traditional modern theatre work, she found fulfillment in self produced, devised plays: Portals and Alice Down the Rwong Wrabbit Whole (San Francisco); Unblinking Eye (NYC); Sister Agnes with playwright John O'Keefe (San Francisco); and various independent films with Michael Rudnick and George Kuchar. She is currently involved in an ongoing collaboration with playwright Justin A Taylor (NYC), as well as development of a TV series The Fae (NYC)
Mariah is an actor, director, and writer who studied musical theater at the Santa Fe University of Art and Design. In Santa Fe, she has performed with The Adobe Rose Theatre, Santa Fe Playhouse, and Shakespeare in the Gardens. Regionally, she has worked for the WYO Theater, Wyoming Theater Festival, Sheridan Civic Theatre Guild, and the Southeastern Summer Theater Institute.
is originally from Dallas, Texas. She graduated magna cum laude from Emerson College in Boston with a BA in Theater Studies emphasis on puppetry and acting. For many years, Susie toured as a resident puppeteer with the Bread and Puppet Theater where she performed in circuses, pageants, box shows, street shows, and operas. Most recently she performed in the Honey Lets Go Home Opera in France at the International Puppetry Festival in Charleville-Mezieres. In Santa Fe, she has performed with the Santa Fe Playhouse, Theaterwork, Musical Theaterworks and has performed and taught clowning at WiseFool. Susie is a certified Music Together teacher and has facilitated music classes for kids and families for 6 years. She is also a member of the Baumann Marionette Puppet Troupe.
is a consultant for arts organizations and other not-for-profit entities. With more than 25 years of experience in non-profit management, Potts consults in the areas of finance, administration, marketing, development and event planning and execution. Past experience includes Managing Director of Shakespeare in Santa Fe and Sacramento Theatre Company, Development Director for Sacramento Opera and the Odyssey Theatre (Los Angeles). Current and previous clients include the Georgia O'Keeffe Museum, Theater Grottesco, Institute for Spanish Arts, Monte del Sol Charter School, Santa Fe Opera, New Mexico School for the Arts, and the Santa Fe International Folk Art Market. Janey has been working with Theater Grottesco since 2004.
DANIELLE LOUISE REDDICK
is from New York City where she worked as an actor, solo performer, puppeteer, percussionist and in the international touring company of STOMP. She has worked with Shepard Sobel, founder of the Pearl Theater in New York City and with Jon Jory, formerly of the Actor’s Theater of Louisville. In New Mexico she has performed with Ironweed Productions, Theaterwork, Mother Road Theatre Company and Santa Fe Performing Arts. She performs two solo shows: Ask Louise and Hypnopompic. She is an immersive theater artist at Meow Wolf, and a facilitating artist for Littleglobe. Danielle has worked as an actor in film, television and new media, is a member of the Baumann Marionette Puppet Troupe and participated in the 2019 National Puppetry Festival at the Eugene O’Neill Theater Center. She is a nationally certified fitness instructor, has developed a system of individualized movement training called SoHyp, and has been the curator of the RedQuyn Space. Danielle graduated magna cum laude from Santa Fe University of Art and Design with a B.F.A. in theater/acting and is currently a MFA graduate student at Goddard College’s Multidisciplinary Arts program
is a physical theater and movement arts performer. She has trained in Action Theater for a decade with its founder, Ruth Zaporah, and is a certified Action Theater teacher. Local collaborations include performing improvisation with Ecotone Physical Theater in Albuquerque, and most recently, with Theater Grottesco in Santa Fe. She received a Master of Arts degree in Dance/Movement Therapy from Antioch New England Graduate School, and a BA in Movement Studies from Naropa Institute. In addition to studying with Ruth Zaporah, and John Flax of Theater Grottesco, Susan has trained with Barbara Dilley, Janet Adler, and other profound teachers in the arts of deeply inhabiting the physical self as a gateway to full expression.
DINO J.A. DEANE
Composer/ Sound Designer
Dino has appeared on a diverse range of recordings including work with Ike & Tina Turner, Brian Eno, Jon Hassell and John Zorn. He has created theatrical sound designs for Sam Shepard, Joseph Chaikin, Julie Hebert and Christoph Marthaler, winning critical acclaim in the United States and Europe. He has composed and recorded music for 50 dance works during a 25-year on-going collaboration with choreographer Colleen Mulvihill, performing in the U.S., Europe and China. He has appeared as a musician throughout the U.S., Canada, Europe and Japan and has worked with Butch Morris in his Conduction projects since 1985. In 1996, Deane moved to New Mexico where he works with a number of ensembles including the acclaimed Out of Context conduction ensemble. He has been composing and designing sound for Theater Grottesco since 1997. In 1999 Deane began researching Human BioAcoustics and Five-Element Theory, deepening his understanding of the connections between the meridian system and the body's natural ability to come into energetic balance through the use of low frequency sound waves.
is an international performer, producer, collaborator, and educator. His work features a fusion of circus, theatre, music and dance - aiming to push the boundaries of what is possible on stage and transcend the reality of the everyday. He is a co-founder of the Paris based underground cabaret-cirque duo, Les Douleurs Exquises, and has worked as both an educator and performer in refugee camps on the borders of Turkey, Iraq, and Syria with the Her Yerde Sanat Social Circus as his clown alter ego, Socks (of Salade & Socks). He is a graduate of the two-year professional training program at l'École Internationale de Théåtre Jacques Lecoq in Paris, France, and has also trained with NoFit State Circus (Cardiff, Wales), and at Les Noctambules École de Cirque (Paris). He joined the core ensemble of Theater Grottesco in 2015 and has co-created The Moment of YES! and PIE.
is an Iranian-American singer, actor, writer, and director. She holds an artist diploma in physical theatre from École Internationale de Théâtre Jacques Lecoq in Paris, and a BM in vocal performance from NMSU. She has appeared in classical music festivals including soundSCAPE in Maccagno, Italy; Stuttgarter Meisterkurse für Stimmkunst und Neues Musiktheater in Stuttgart, Germany; and New Music on The Point in Rutland, VT. She is a champion of new and rarely-performed classical music in Santa Fe, NM, and an active recitalist and improvisor. She began working with Grottesco after graduating from the Lecoq school in 2014, appearing in and co-creating The Moment of YES!, and PIE.
Skip Rapoport has designed lighting in New York, Los Angeles and many points in between; at NY’s American Place Theater and Dance Theater Workshop, LA’s Vanguard Theater and Schönberg Hall, and Chicago’s Body Politic Theater. His clients have included The Acting Company, Mark Taper Forum’s New Theater for Now, Donald Byrd and the Group, and Nevada Dance Theater. In Santa Fe, he has designed for The Lensic, and Theaterwork, among many others.Recent work includes Death of a Salesman, The Moment of YES!, Bus Stop, Welcome to Arroyo’s, Theater Grottesco's PIE, and the inaugural season of New Mexico Actors Lab.
Marc has been a professional photographer his whole adult life. He was the youngest photographer, at the age of 24, signed to the international photo agency Image Bank in 1982. For the past 12 years he has managed to move seamlessly between the worlds of still photography and motion. Highlights of his editorial career include a number of photo assignments for Life Magazine, Outside Magazine, Modern Photography and Popular Photography. He has traveled extensively throughout the world, a partial list of locations include: Australia, New Zealand, Spain, Greece, Turkey, Thailand, Bali, Italy, Peru, Guatemala, South Africa, Senegal, Morocco, Botswana and Swaziland where he documented landscapes,cities and peoples. A native-New Yorker, in 1989 Marc left the concrete canyons of the city and headed west for the brilliant blue skies and light of the high desert of New Mexico.
Karyna earned her BFA in theater from the University of New Mexico in 1987. Her lighting and design includes work with Tom Moore, David Schweizer, Susan Jayn Weiss, Herbie Mann, Branscombe Richmond, the Bellamy Brothers, St. Petersburg Ballet, Aspen Santa Fe Ballet, The Red Thread Collective, ThaMuseMeant, The Gluey Brothers, Los Lobos, Judas Priest and Iron Weed Productions. Karyna has been in the Grottesco ensemble since 1999 running tech in The Angels' Cradle, This is Life as We Know it..., Fortune, The Richest Deadman Alive! Shorts II! A Dream Inside Another, Wenomadmen and Keyholes. She designed lights forWinter One Acts.
Former Associate Artistic Director
has been a principal creator and performer with Theater Grottesco since it's founding in 1983. Elizabeth studied at Whitworth College in Spokane, the Cornish Institute for the Arts in Seattle, with Phillip Gaulier in Paris, and is a graduate of the Ecole Jacques Lecoq in Paris France. She taught voice at Arriane Mnouchkine's Theatre de Soleil in Paris and has taught at theaters and universities throughout the U.S. She has been an ensemble member with the Sundance Playwriting Laboratory, has developed 6 children's librettos for the Santa Fe Opera's Outreach Program, and taught with the NEA Artist-in-the-Schools program for 8 years. Elizabeth has performed in numerous regional theater productions and several independent films. She recently completed her first full length adult opera, Ciconia Ciconia, and has begun research on a second project. Elizabeth recently started Real Life Rituals, and works with people in transition to create personalized ceremonies for important life events.
OUR BOARD OF DIRECTORS